Slate Digital VMR Complete Bundle v1.5.0.1 Win
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MIX FASTER & EASIER WITH DREAM STRIPS
VMR 2.0 opens with your own custom dream channel strip by default. So whenever VMR 2.0 is launched the leftmost Dream Strip always loads first. Now you can instantly start mixing with the modules you use the most.
VMR 2.0 opens with your own custom dream channel strip by default. So whenever VMR 2.0 is launched the leftmost Dream Strip always loads first. Now you can instantly start mixing with the modules you use the most.
VMR 2.0 comes with seven default Dream Strips, although you can remove them and make your own. You can change the vibe, color and sound of your mix with a single click and easily undo and redo your changes.
You can easily see all of the processing modules installed in the Library Pane, and you just drag and drop to get them into the signal chain. You can also drag to reorder the modules as well.
With VMR it’s easy to clone an entire signal chain for comparison – just press the right arrow and everything currently on path A is copied to path B. Once cloned, you can change some parameters on the alternate path, or even swap out entire modules. To A/B the signal chains against each other, just press the A or B button in real time to hear that signal chain in action.
You can load up to eight modules at once into VMR, but it’s still easy to solo or mute any of the processing modules you have loaded using the Solo and Power buttons. Push the “S” on any module to hear it alone in the signal chain, and hit the “power” button to turn it off.
You can load up to eight modules at once into VMR, but it’s still easy to solo or mute any of the processing modules you have loaded using the Solo and Power buttons. Push the “S” on any module to hear it alone in the signal chain, and hit the “power” button to turn it off.
FG-401
The FG-401 started as a recreation of the classic British console channel compressor, but morphed into a whole lot more. First, we gave it variable attack and release with increased range, which added more tonal options. After that we added an input transformer stage – but not just any transformer, the famous transformer from the British Class A Console! This adds a beautiful warmth and sheen to the compressor, and lastly we added an entirely unique opto circuit path that provides an additional smooth and rich tone. The FG-401 is perhaps the most versatile mix compressor in the world, and it can sound good on any source you feed into it!
The FG-401 started as a recreation of the classic British console channel compressor, but morphed into a whole lot more. First, we gave it variable attack and release with increased range, which added more tonal options. After that we added an input transformer stage – but not just any transformer, the famous transformer from the British Class A Console! This adds a beautiful warmth and sheen to the compressor, and lastly we added an entirely unique opto circuit path that provides an additional smooth and rich tone. The FG-401 is perhaps the most versatile mix compressor in the world, and it can sound good on any source you feed into it!
FG-S
The FG-S is a digital recreation of one of the most famous British console equalizers from the 80’s. This equalizer has rich harmonics and interactive mid bands with a fat musical tone. It’s the ultimate workhorse mix eq that can be used on any track – great for surgical cutting strokes, or wide bell and shelf strokes for making drums and guitars punch out of the speakers.
The FG-S is a digital recreation of one of the most famous British console equalizers from the 80’s. This equalizer has rich harmonics and interactive mid bands with a fat musical tone. It’s the ultimate workhorse mix eq that can be used on any track – great for surgical cutting strokes, or wide bell and shelf strokes for making drums and guitars punch out of the speakers.
FG-N
The FG-N is a digital recreation of one of THE most classic discrete Class A British equalizers from the 70’s. All aspects of the circuit were modeled, including the rich harmonics and saturations that naturally occur when the equalizer is in use. The original hardware only contained one mid band, but we added another to make the Brit-N even more versatile. This equalizer is lush and fat, and it sounds great on everything you send through it.
The FG-N is a digital recreation of one of THE most classic discrete Class A British equalizers from the 70’s. All aspects of the circuit were modeled, including the rich harmonics and saturations that naturally occur when the equalizer is in use. The original hardware only contained one mid band, but we added another to make the Brit-N even more versatile. This equalizer is lush and fat, and it sounds great on everything you send through it.
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FG-116
The FG-116 is a precise replication of the classic American FET limiter, and no expense was spared capturing every nuance of this amazing device. From its trademark timing characteristics to the extremely musical sound of its transformer, the FG-116 gives engineers and producers the musical and fat tone that has made the hardware so famous. The FG-116 sounds great on everything from lead vocals and drums to bass guitars.
The FG-116 is a precise replication of the classic American FET limiter, and no expense was spared capturing every nuance of this amazing device. From its trademark timing characteristics to the extremely musical sound of its transformer, the FG-116 gives engineers and producers the musical and fat tone that has made the hardware so famous. The FG-116 sounds great on everything from lead vocals and drums to bass guitars.
TRIMMER
The Trimmer is a useful module that performs a few basic but essential operations within the Virtual Mix Rack: RMS and Peak Level Monitoring, a simple Trim control and a Phase Reverse Switch. When using it in the first slot, the Trimmer allows you to define how the signal will hit the following VMR module, with a precise output level monitoring.
The Trimmer is a useful module that performs a few basic but essential operations within the Virtual Mix Rack: RMS and Peak Level Monitoring, a simple Trim control and a Phase Reverse Switch. When using it in the first slot, the Trimmer allows you to define how the signal will hit the following VMR module, with a precise output level monitoring.
THE MONSTER
The Monster emulates the classic “all buttons in” extreme compression sound of the vintage FET limiter hardware. The “all buttons in” effect can be pretty extreme, so we added a few very cool additional features that make this processor more versatile, more creative, and more useful.
The Monster emulates the classic “all buttons in” extreme compression sound of the vintage FET limiter hardware. The “all buttons in” effect can be pretty extreme, so we added a few very cool additional features that make this processor more versatile, more creative, and more useful.
REVIVAL
Revival is the product of years of research into what makes things sound ‘better’. The Slate Digital team analyzed what it was about some classic analog gear that could turn tracks into audio masterpieces, and broke the process down into two knobs. That may sound a bit crazy, but wait until you hear Revival.
Revival is the product of years of research into what makes things sound ‘better’. The Slate Digital team analyzed what it was about some classic analog gear that could turn tracks into audio masterpieces, and broke the process down into two knobs. That may sound a bit crazy, but wait until you hear Revival.
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Launch Video: One of the greatest part. S about my job is being able to create products that I have dreamed about for years. And the Virtual Recording Studio concept has been one of my greatest dreams. When I started out in the studio business, in order to have the best tools, you needed to be elite, rich, or have the necessary skill set to rob a bank. The rest of us were left with average tools that made it more difficult to make great sounding music. The Virtual Recording Studio changes that. Now you can get an entire virtual arsenal of the industry’s most coveted microphones, classic compressors, vintage equalizers, tape machines, reverbs, and more.
For less than the price of a typical pro studio’s monthly electric bill! And the final piece of the puzzle is now available, the VRS8 Thunderbolt interface.
We took a no-compromise approach in the development of the VRS8. You’ll find some of its components in converters costing three times the price.
And it comes with a year of the Slate Everything Bundle so you’ll have plenty of virtual gear in your studio to make great sounding records. You can also add on VMS Microphone packages for as little as $499. CLICK HERE FOR VRS8 DEALERS: You can demo the entire Virtual Recording Studio and hear tracks recorded with the VRS8 by visiting our VRS Experience here: Note: The initial release of the VRS8 is Mac Thunderbolt. We are currently in beta with the Windows version and hope to have it out very soon. Following that, we will release a legacy Mac driver for PCIe.
FAQ: Why doesn’t the VRS8 have digital i/o like SPDIF or ADAT? A: The VRS8 was created to be a native interface that boasts an incredible roundtrip latency as low as.7ms. In order to do that, we created a direct chipset to handle the audio which we’ve named Low Latency Native or LLN. However, in order to maintain this low latency path, we could not interrupt the chipset with an external digital signal without compromising LLN.
To use more than 8 channels of audio, you can get an additional VRS8 for a whopping $500 OFF! More info: — Gezeigte Produkte:.
Version Full Retail Version! Operating System MAcintosh or WIndows License Type SIngle User License Media Digital Download VIRTUAL MIX RACK BRAND NEW! GENUINE FULL VERSION! (NOT EDUCATED/OEM/COPY/UPGRADE VER.) The VIRTUAL MIX RACK continues the Slate Digital tradition of providing the absolute most authentically modeled analog sound in a digital audio plugin. The ‘VMR’ includes four world class mix modules, including two classic equalizers and two versatile mix compressors, with more modules to be developed. • The ‘VMR’ operates as a Virtual 500 series rack with hot-swappable modules, putting your whole processing chain in ONE WINDOW.
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This allows you to customize your own channel strip, with signal flow following the modules, in any order you choose. Mix and match filters from different EQs. Chain an EQ before or after your compressor. Moving modules around is easy, fast, and creates no break in audio playback.
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Audition signal chains faster, easier, and in real time with the Slate ‘VMR’. • The FG-N is a digital recreation of one of the most classic discrete Class A British equalizers from the 70’s. All aspects of the circuit are modeled, including the rich harmonics and saturations that naturally occur when the equalizer is in use. The original model only contained one mid band, so we thought it would be nice to double it so that it has two mid bands.